Dorian Gray photo
Opening night: March 27, 2025
place: Broadway Music Theater
Written by: Oscar Wilde
It was adapted and directed: Cape Williams
Performing: Sarah Snock
Camera operators: Cleo, Luka Ken, Natalie Rich, Benjamin Shen, Dara Woo
Running time: 2 hours (without a break)
The pluscinemaz.commeals: If Oscar Wilde is only alive to present a heavy description of the fun in Broadway Dorian Gray photo The wonderful championship succession Actor Sarah Snock, because this production will need more than a few words to convey everything that is dazzled by the vibrant theatrical.
Equal parts of Masterclass, technological magicians, illusion and watching the watch, all designed and collection designed with intelligence and colors plans from the most live pictures of Cherman,,, Dorian Gray Marx for the first time in Broadway by both Snok and the usual director Cape Williams.
What if the use of video cameras on the stage already limits the clichés, or even if it has already been crossed. sunset.The closed circle street proves at night on the forty -fourth street that there is still some entertainment, and now Dorian Gray Development is driven forward a few light years. Snook plays more than twenty characters, but not in the usual Patrick Stewart.Carol Christmas Or Andrew Scott in-Vania road. Snook often plays multiple letters at one time, and behaves directly for her video photos.
Snock like Sir Henry Watton, on stage, Dorian Gray
Mark Brenner
If you are depicting those tricks, the common divided screen at least since the identical cousins Patty Duke ShowThink again. David Bergman's video design is very convincing, as one of the Snooks registered on the screen interacts with Snook Live, you may need a double reminder to remind you, which is what.
It was organized by Sydney theater company initially and then in West End, London, Dorian Gray The sticks are near the Wilde novel plot that we all read, or it is said that reading, in high school – although Williams slip into many intelligent paradoxes, from dance clubs and Disco music to smartphones and Botox. The actor opened with a close -up snapshot of Snook on one of what many hanging paintings will be, the actor tells the scene of the Wilde plot in which the painter Bassil Hallard and his friend Sir Henry Watton are discussing the youth of Dorian Gray, the most recent artist in Musa (although this seems that the word lust is not trying any attempt).
While the camera crew on the stage performs multiple tasks that are invaluable (and often funny) as painters, makeup and wig, Snook Dandies raises her clothes and moves one of the blond baroes-ranging from Mark Bolan, to all this appearance from the Nawras-that sign is at the Dorian company itself. Initially, he became the beautiful young man who was wandering again to sit back to the artist, and he was soon moved with his own image, and no more than that when he begins to note that the final image looks skill and magic Change.
Live flashes of colored pop of darkness in the designs of the scenic landscape and fashion
Mark Brenner
You know the Fostien hypothesis that was presented here: while Dorian remains young forever and increasingly, the painted image hidden in the attic increases the elderly and more dried, new wrinkles and rot with every immoral, immoral and short act.
Narcissism in modern literature ultimately makes a jump of Gothic horror from the nineties of the nineteenth century to terror in the twenty -first century. At one point, Snook uses a smartphone application to discredit its expected face to imitate the most dismissed failure in plastic surgery.
MARG Horwell designs with scenic landscape and clothes are exquisite spots of mature colors against naked black performance space, and they are fully happy in the contradictions. Apple tree Being only two of the most effective. Nick Shelber's lighting design also plays a very important role in seeing Williams Williez Production.
Very busy? maybe. It is possible that the use of all these expectations and paintings-at different points hanging on the stage, such as many paintings in a crowded museum-from excessive some and attention, especially if the appreciation of the video on the stage or the live broadcast is wearing thin (or they never start there). and DorianDespite the offered visual creativity, it goes out and sometimes accompanies, especially in the late extended scene that uses pre -registered external shots that allow more than Snook to race via a forest.
This shift in the tone, from closed, dark, hidden to expansion and bright, is sufficient to stimulate a little fear of any of us. The scene, which was appointed to the music of Mahal Simphoni No. 2, is not only involved, but for the first time in an evening with a high purpose, unintended.
image Dorian Gray It does not completely recover from moving the mood, so that the long -awaited scene is not destroyed, as the brutal plate (we never see it, by the way) is not exaggerated and anti -climate. Perhaps this is the comprehensive price paid against a kind of arrogance required of this ambitious project like this. Wilde, not to mention his most famous creations, may find that access to the attempt, and Broadway can be happy that Snook and Williams went to seize.
