After his career k Gq Fashion column writer, writer Mark Anthony Green, his appearance for the first time with a dark, relevant comic terror that gives Ayu Edpery and John Malcouvich some of their most delicious shows so far.
in OpusEdebiri plays Ariel, a young journalist called for the Bob Moretiti legend (Malacovic), who stopped making music after retreating from the public eye 30 years ago. During its time, within the society known as “levels”, suspicious of the disturbing group behavior is increasing.
“You taught them young people and the world will be for you,” he reads one piece of ordinary literature when Ariel arrives.
Edebiri smoothly turns from comedy brilliance into absolute horror in visceral performance as a new type of final girl, who laughs with screaming. Although Ariel's gift of perception eventually helps her to move in the red flags of her surroundings, she threatens to fall.
Malkovich plays an ideal discount for EDEBIRI, where each of them demands the screen with its magnetic presence. An Oscar candidate performs another unknown performance, as he directed the inner pop star with some help from his internal psyche, such as Moretti Narges, whose avant -garde style is great like the Complex of God.
Meanwhile, dark comedy topics became more important with the rise of the meteorite in EDEBIRI to stardom that appears on the screen and the profession of MALKOVICH Storied as an actor, both of which have their own experiences in fame and Vandum.
Juliet Lewis and Mauri Bartlette are honestly serving the media who were around the bloc and remaining in the throat of each other, along with the performance supporting of Tony Hill as an equal propaganda with Moreti and the support of the eccentric and Opus The director of the actor Amber Midthonander as a strong and powerful worship member.
In addition to a stars set, the film also ripens with a veil from Lil Nas X, Olivia Rodrigo, Lenny Kravitz and Rosario Dawson as the Billie Holiday's voice in a tragic doll that uses dead mice stuffed by photographing reporters and photographers bothering the artist with offensive questions and ignoring humanity.
PUPPET is a dark explanation for Moretti's motives, as well as a confrontation with the abuse of the media of power and privacy in the pursuit of celebrity gossip. The host provides his guests with a 24 -hour a day, asks them to follow them and keep them under constant monitoring, and convert the lens to those who examined it in the public eye.
His unusual treatment of his guests extends to their bodies, where one of the members of worship explains that anyone who meets with Moreti is required to reduce his bars, even the most influential stars and politicians. “No one is more than a star of dreaded stars,” they explain to the amazing Ariel.
Without beating them on his head, the film is sprayed with what appears to be hidden gestures Midsommarand The silence of the lambs And other horror classics over the years. Although there are some clear similarities with MenuThis should be expected because the “Eat the Rich” sub-type has a lot of interference with the “Drink The Kool-AID” camp, both of which are increasingly suitable for some reason.
And who does not want to join worship with this type of artistic direction and soundtrack? Certainly, I am Stan Malacovic after hearing “Dina Simon” from Moreti and the kindness “Tomorrow, my love”, and both were created by Neil Rodgers and dreams between the recording sessions with Beyonce. The duo is the last impressive director for the first time Green.
Although the film could have ended 20 minutes ago from what it was through the classic horror type decision for the final ARIL trip, the bow continues to develop as green games with the audience's perception of the influence and free will, which provides another satisfactory development that pushes the home of its message .
It is eventually difficult to find this film to be reliable after a week of blockage of some of the most talented actors and directors of our time in Sandans. It is an impressive and self -awareness of how new generations consume the media and worship in Stan's poisonous culture when “anyone can be a god at any moment,” as Moretti notes.
Producers are Colin Creton, Brad Weston, Hanks Hanks, Gilani Johnson, Mark Anthony Green and Josh Bashov.
address: Opus
festival: Sandans (midnight)
screenwriterDirector: Mark Anthony Green
Empty: Ayo Edpere, John Malcolich, Juliet Lewis, Murray Bartlet and Amber Midthonand
distributor: A24
Running time: 103 minutes
