Actress, actress Kate Blanchett and director Gay Madin, participated in their paths in the film industry as well as their experiences in “flow” in art making, while at the International Film Festival (IFFR). They took the theater in front of more than 800 guests at the OwE Luxor Theater, shortly after a festival for their movie Rumors.
“I have never thought that I could work in the movie industry,” said Blanchett. “I was happily independent of a profession in the theater. I didn't think I was that girl, and at that time, there was definitely a feeling that women had a certain period of validity in the cinema industry, and that a certain type of women had reviewed on the screen. But I liked watching movies I had such selective taste.
The Oscar winner said twice that it was a movie for a French high school film that made her think about following the movie.
“It was nullied with the narration of cinematic stories, and I felt like an adult experience. .
She also cited the work of Jane Campion as a great inspiration for her.
Madine participated about his first ambition to become a writer, and some of his wrong adventures in an attempt to act and how his father's death – and becomes a father himself – pushed him towards a profession in filmmaking. Among some of his films My Baladi Winnibigand The most miserable music in the world and Green fog.
“I imagined in my early twenties as a writer, but I was a good reader enough to know that I can never be a good writer enough to read him,” Madin said. “I wrote, but then I discovered this type of human film that really conveyed me.”
The most prominent Madin ReaserHead As a training movie in determining what the cinema could be – in a professional and personal way.
“ReaserHead The opening match of Al Ain – Arad in Salam, David. I couldn't sleep after seeing him, not only because of the amazing vibrations that I took with me from the sound design and the horrific pictures, but I did not believe that David Lynch had made a movie about me 10 years ago, “Madine said.
Madin's father died while Madin was 21 years old, he was also a deep experience that changed life that made Maddin reconsidering the lines between dreams and reality.
“My father died when I was 21 years old. I discovered that I would become a father eight hours before my father’s death, so this was a kind of this that really happened in the world that happened at the same time. After a few months, Ahlam began that my father did not die, and that he was that he was It may be abandoned by the family.
“I had a dream that he returned home because he forgot his lips or glass eye, and I had one minute to persuade him to return to his original family. So I was talking and I had these repeated dreams for years, and thus my father's actual death decreased in time enough that I could not Remember his voice correctly while waking up. “
Madine participated that he was also inspired by the Greek tragedies in his work – sorting “ELECTRA” by Euripides as the one who left a particularly sharp impression.
“I have just started reading Greek tragedies, because these things have been established 2500 years ago. Madin said:” There must be something I can steal. ”
After launching a point of Madin on drawing from the current work or “theft”, Blanchett said she wanted artists to reconsider what “they are original”.
“We have been told as developing artists that you somehow you should find your own voice, while I will beg, borrow, or steal from anyone,” said Blanchett. “I think it is partly a honor, but it is also partial it is a way to communicate with a person, by identifying a frame, cup or star. If you are in one way or another in a dialogue with this director, actor or cinematic photographer, then this reference will sometimes be midwife To define, or you may end up getting rid of it elsewhere. But I think it is often an attempt to repeat, in a strange way.
Madine participated that he is called a flow of flow sometimes in making art a kind of “anesthetic tingling”, referring to some writings of American writer Vladimir Nabokov in this line of thought.
“I know that in some of the experiences that I have experienced as a film director, ART sometimes produces that tingling, for example, for example, a few certain shots in a row, or when music actually coincides with an image. Or even before I am interested in the film, when I played sports Group, sometimes it was just a great feeling you have. ”
However, Blanchett said she was for her, she worked better for her growth as an artist when she learned to leave such feelings walking.
“I never lived in this feeling. Blanchett said:” You have to let it go. “It is like a love relationship. It is a kind of like, “Oh, that was amazing.” Then outside the door, and I think you are learning a lot of embarrassing failures when doing this. You should be so grateful that you have experienced the flow experience. “
