“Thank you, good night”. “Thank you, good night.” Mrs. Maysel, the wonderful In 2023, they said “Hi” to Amy Shermanno Bladeno and Dan Balladino, the new ambitious dance, Étoile.
When Kirby was first tested to play the late comedy Lenny Bruce in MizalI think it will be only in the experimental episode. But Sherman Bladino saw a special spark for him that led to the leadership of 16 episodes, and the Emmy Award for the distinguished guest actress in the comedy series.
With Kirby, director of the Metropolitan Ballet Theater, Baldinos found the perfect man to play ÉtoileMysterious, high -ventilation dance designer Tobias Bell in Glick, who appeared in nine episodes Mizal As the magician, two thousand Zellinski.
With Charlotte Ginsburg, Lu de Lagge, David Alvarez, Yannik Troed, David Heg and many actors, dancers and gifted designs on the plane, Kirby and Glick restored themselves in the other singular, challenge, which is active on the world from the Baladino. Only this time, they formed the spotlight on the ballet instead of the reserve comedy, obtained more screen time, and they had to accelerate more intense, creative dialogue for creators.
“The most difficult thing with Palladinos is that it gives you a lot of really good writing, and expecting is really to arrive, really ready. This is a challenge.” Kirby told the decision to enlarge ÉtoileThe first offer. “From this comes a great relief.”
“The text is the most rewarding and challenging part of the work in a world of Baldino,” and is also a writer in ÉtoileRepeat. “But most of my viewers are with dancers, and depending on whether I spoiled my linear, they must start dancing from the beginning again. So most of the tension was about tampering with them, because they could not go to these times.
In honor of the long -awaited video release in the first season, Étoile The stars spoke with a decision about their characters, the participants beat them, the exciting celebrities engraved in the show, the moments of the great end, and more.
I loved your work Mizal. Very excited to see you again in Paladino-Verse. As the background stars, what do you find more satisfactory and challenging about these people? Étoile Roles?
Luke Kirby: The most challenging thing with Palladinos is that it gives you a lot of really good writing, and expecting is really to reach, really ready. This is a challenge, but you can find out if you have time. From this comes a great relief.
Gideon Glick: To get rid of this, the text is the most rewarding and challenging part of working in a world of Baldino, but I will say that most of my scenes are with dancers, and depending on whether I spoil my linear, they have to dance from the beginning again. Most of the stress was about their futility, because they could not go several times. Their bodies will be broken. And so I was really tense.
Locke, Jack has an incredible chemistry with Charlotte Ginsburg characters, even if not. Were you quickly developing this close relationship as actors?
Kirby: Yes. Lou and Charlotte are just enormous actors and really great people. We all would like to work hard, so developing these relationships as active bodies happen. I felt that it had happened somewhat smoothly. We appear and do our work. But a boy, she is really exceptional. I don't know why they will talk to me when I think about it. [Laughs]
Gideon, I am obsessed with Tobias, he is a difficult character for nails and it seems that you are doing it effortlessly. Do I am working as a writer in the series that acting and understanding the character of the degrees that you have not experienced before?
Glick: Oh, definitely. I felt like I was living in the world for a year before we started. So I really felt, really lucky because I got diving, a kind of big pictures, understood what the ballet world was, and then seized him towards Tobias. I felt that I was really really inside it for a long time.
It is always exciting to see the return of many familiar faces in Dan and Amy, but my favorite guest star will always be the great Celly roofs. Luke, how was the presence of Jack's mother to play? I know that she has such a deep personal history with ballet, so I imagine that she was glad to be in this exhibition.
Kirby: Yes. Kelly's presence around him was in a lift, certainly. She does not play the most mother in Kelly's history. [Laughs] But Kelly is really warm. And yes. Its common history with this art helps to consolidate what we do. It's just amazing. We shot – were you there?
Glick: Are you talking about the scene of the concerts?
Kirby: Yes. She is the only person you saw in a group of Sherman-Paladino. And a boy, a man, a man. It was 15 minutes of them, and we all all fascinated. It is a legend. Her beauty and talent. It is amazing.
[Read what Amy Sherman-Palladino and Yanic Truesdale had to say about Bishop here.]
When talking about guest stars, there are many manifestations of dropping the jaw in these eight episodes, but Gideon shares scenes with two favorites. The first is clear that David Bern, has no big deal. Were you interacting with him at all, was this thing a pre -registered?
Glick: No, when David's footage were, I was out of the camera, and I am surprised by the truth. I used to listen to the modern presidents every day. I did not tell him that. But it is wonderful. It is like you think it is.
Kirby: I told him, welcome to the Brooklyn Library, and it was one of the most moments of my day and my life.
Glick: He also enlarged some magnification from his room, and we re -created his actual room from this magnification. So it was strange. It is like, “This is my apartment inside the Brokelin Library's basement.” [Laughs]
Kirby: Yes, we shot him at the Brooklyn Library, but they made it look like his actual apartment. It is just a very terrible thing to do for a person. But, as you know, fun! [Laughs]
Of course I should ask about sharing this funny scene with your friend, Jonathan Group. What can you tell me about that? Spring Awakening reunion?
Glick: With Jonathan, GROFF was known forever, but we did not actually act. Because in Spring AwakeningWe were not really – we were not so truly You have scenes together. We were only in the scenes of the group together. And I think in the end [of our Étoile scene] We felt that in the end we were intimate together. We understood what was the case on each other's dates. [Laughs] It was strange.
Kirby: Acting power! [Laughs]
Of course, one of the greatest scenes of Tobias is, of course, when the rogue goes and begins to reformulate his dance live on the stage, and this huge scene ends with the Tobias kiss and the long -awaited Gabin. You have such a wonderful dynamic with Evan de Pontavia.
Glick: Evan such an extraordinary actor. He is alive. So working with him is always suspense. I will say, it's a nice thing when you have a chemistry immediately and you can see it translates through work. I think we are a kind of strange spouses. So it is fun to wander with him. This scene was in particular amazing. It was really the end of the shooting to us. So I felt like a great coronation. It was exciting at multiple levels.
The show contains a masked love triangle, because I really love Jack and Jenviev. But I was secretly rooted for him and Shayan to explore concrete contact. Luke, when you read this final scenario and saw this big scene in the end, were you ascending to them too? How much do you know about their background five years ago?
Kirby: They touch it in the first episode. There is a kind of this sad, reflective moment where Cheyan learns how New York has changed since the last time she was here. For me, only these few lines talked about volumes for its common history. I think they both deserve relationships. They are friendships. Everyone in this story is attracted to one art form and is driven by trying to maintain its vitality. I don't know where to go. I certainly have ideas, but no one will listen to me. [Laughs]
Glick: We are not.
Directly from the writer.
Kirby: Yes, see? See how that happened? I had ideas. No one wants to know. I will tell you when he leaves. [Laughs]
When leaving Hollywood strikes and living in a world where art and expression are under fire in some respects, what does it mean to be part of the show that represents a love message to the arts?
Kirby: It is a good feeling. This is important, important things. I think it's vital now. And for us, like water. So we hope to do what is fine to get it there.
Before we wrapped in honor ÉtoileIs there a star in your life that you would like to scream?
Glick: So my dog, it's the greatest thing in the world.
Kirby: Well, I also have a dog.
Glick: Yes, but this is my answer, so please do not skip me.
Kirby: I just looked at me to verify health, and thought, “Oh, this is a good answer.”
Glick: I did. But I say that our dog worships our dog's temple at home. And every day I love it more.
Kirby: Road we Caring for our dog really – [Laughs] You should see our dog dance, this is the thing.
Glick: Can your dog dance?
Kirby: Well, it is a pen.
Glick: Are we strange?
Kirby: Hello Homer. [Waves, Laughs, Repeats]
Glick: Hello, Truman. [Waves, Laughs, Repeats]
This interview was released for length and clarity.
Étoile It is now broadcast on the main video.
