Bridge Jones: madness of the boy Director Michael Morris faced the challenge of harmonizing the readers and viewers who know him and love him with a great tragedy in her life, followed by her flexibility to maintain living, not just staying alive.
The fourth film provides two new interests of love – Mr. Walliker from Chiwetel Ejiofor and Liu Woodal – in the orbit of Bridge and she is going through the early period of sadness after the death of her husband, Mark Dershi (Colin Verth) between them between them Bridge Jones Baby (2016) and Crazy from the boy.
Morris said: “The loss of a person is not applicable in your life is, unfortunately, just something that many of us have to deal with,” Morris said. “Because of the nature of that, where [Bridget] It is, because the world feels that perhaps somewhat is somewhat organized in some respects that make us concern these days, I think it is important for the movie, if it will feel like a real life, to contact it. It was really important to find a way to tell Bridge's very authentic story with all fun and joy, but this allows us to feel other things as well. ”
Fortunately, Bridge still has a reliable interior friend of the first three films next to her, and they all passed through ascending and landing. The Quartet Quartet has the return of Bridge regardless of what, especially when the romance fades with the character of First Woodal and then Ejiofor.
“Friends, the three, first and foremost, they are all incredibly wonderful representatives. I mean, James Calis [as Tom]Sherley Henderson [as Jude]Sally Philips [as Shazzer]”This is an incredible small Greek choir that I got there, and it is very warm,” Morris said. “At this stage, as at the end of the movie, they say,” We enjoyed some fun, right? “We have known this group 24 years ago, as if they were our friends as well. So it is really important to allow them to be in this movie and work in the way they do, like her chosen family. They are the closest to her. It was really fun to find her again and re -discover her a little. Tom's long hair.
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In the interview below, Morris cancels balance with sadness, joy and humor Bridge Jones A privilege was filmed in addition to specific scenes of the balloon speech, which looks like a poster to gestures to previous films.
The deadline: What is the tone you want to adjust with this fourth? Bridge Jones The batch? Sadness is influencing this film between other classic emotions.
Michael Morris: It is a really good question because it is clear that there is a different kind of trips that this movie will see. I think this is normal. The beauty of this privilege is that we knew [Bridget Jones] 24 years ago, and therefore we have seen her in all these places that work with different touch in her life: start in the world, who will be, then live life, work in the job and do something, and then get a child and all these moments.
Since life works for us, it can bring more joy in the shape of children, family, and deeper friendships, all. It is likely to bring the other thing as well. It really doesn't matter if he is a partner, one of the parents may be a friend, can be a dog or cat. Anyone gives you fun and joy, you are risking, and the loss of this thing.
Delivery date: I am curious about what the conversations were with Helen Fielding. I wrote the scenario. It depends on her book, this fourth batch, after the first three.
Morris: The basics of this story, all you just said, were very important to Hilin, because there is a lot of personal story in this. She directed a lot of this personal story to the book, Crazy from the boy. Each novel is full of accidents in ways that you cannot get everything in the movie. What we both wanted to continue is very early is the essence of what you just said about this loss. It was really important to Helen, and it was very important to Rene, and Laba. These conversations were before we started even critical, because before we longed in a rehearsal or stage room, “Are we all on the same page? Can we make this movie?” Or will we throw and move between it, “Is it funny enough? Is it Sad enough? We all want[ed] To move to a new type of record.
ChiWetel Ejiofor in the role of Mr. Walliker in “Bridget Jones: Mad in the Boy”
Jay Midmont/Global Pictures
Delivery date: This piano scene at the end, was that linked? The master and the eker This was Cheyetel playing properly?
Morris: It was not improvisation. It was very important for me to go in this what we will see. You think he plays formally, a fun but formal song, then mixes it and makes the party continuous. This is now, in the world of Bridge. It has been reduced. He wears the bird. It is more on the ground in its own way, but Chiweetel is a major type of craftsman. No one wanted to record it in advance. It was like, “I will learn that. I will do it.” He was playing at the ceremony. He was playing in the end.
Delivery date: last The scene that will adhere to me forever is balloons when they allow them to go with letters. That felt cinema. Was that in the book? Can you talk to me about organizing and photographing it?
Morris: In the book, yes, Helen has always had this idea – and perhaps she had come from her life, in fact, she should ask her – about the launch of balloons. As a director, when you first start developing a text program and working on rhythms and everything, some foundational things become. You become like optical symbols in your mind. For me, this shot declines where almost all the sky is small creatures in the corner, and you see these balloons. I can imagine being a sticker. For me, this was always a picture of this movie.
LR: Mila Yankovic in the role of Mabel Darcy, René Zilloiger in the role of Bridge Jones, Kasper Knubf in the role of Billy Darcy in “Bridge Jones: madness around the boy”
Alex Billy/Universal photos
To do this, by the way, it was an incredible achievement for both visual and private effects, which means that we call him Hampstead Heath, we found a place for the camera method, at the bottom of the hill, so that we can get this clean line on the horizon. Then our amazing special effects team had giant cranes and invisible wires, and we are in fact, in real life, we raised these balloons. Unfortunately, these are not the balloons that you see in the movie because they were very regular, but they allowed us to compose and form the snapshot as you see. It was really great.
Delivery date: Can you explain the Ila Fisher veil and the “Never Tee
Morris: It is completely a veil, meaning that, on a complete whim, I was like, “I wonder if Ila will say yes?” Because it was just a small glimpse of that – I really wanted a sparkling, wonderful and wonderful person, lives across the street, wearing beautiful clothes, and screaming at her children in a way that she feels completely bright with Bridge not doing it, as you know, and just as it escapes the distance wonderfully. I asked ILA, I don't know what happened to me, but I think it is the power you are accustomed to Bridge JonesWhere people love the privilege, and she said unexpectedly, “Yes, this looks fun.” So it appeared for one day if you did it. If I can get more ISLA, I would have got more ISLA, but in this movie, it is just a small glimpse of local colors.
Delivery date: When the collection of four films from the first movie – Shazar (Sally Phillips, Jude (Shiply Henderson) and TOM (James Callis) – are early drinking, that indicating blue soup of blue soup Bridge Jones notes (2001)?
Morris: Yes. In fact, our great pillars actually colored Pantone matching blue from blue soup, so they are in the same color in the same color.
Delivery date: Are there any other major communication operations you want to make to previous films?
Morris: There is a lot that is almost more fun, just to leave it in it. I am sure you saw the penguin pajamas. The famous Christmas bird appears. But more than that, there are only many lines from other films, and there are small main pillars from other films. There are camera corners that will remind you of the important clips of the first movie. This is our gift for the people who grew up with or enjoyed privilege. It is worth seeing again because you will see more the second time.
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