WARINING: Spoilers provided to Netflix's Glass dome
in Glass domeA series of Netflix based on a story of the Swedish crime author Camilla Läckberg, Lejla (Léonie Vincent) returns to her hometown after the death of her adopted mother. The journey to Granås, a small village in Sweden, becomes a nightmare when a local child loses. The timing and preparation of the mysterious disappearance seems familiar to Lijla. When she was a child, she was once kidnapped and held a prisoner inside a “glass dome” by unknown families.
Now a criminal world, she finds that her life has turned upside down as she was investigating a case that hits her near the house. With the development of mystery, Lejla is forced to face her past and wonder whether the girl's disappearance is coincidence, or is related to something darker.
Below are the largest puzzles that were raised in Glass dome And transformations that lead to an exciting end.
Return to Gran
Glass dome It opens as lejla meets with its origins. The criminality, who lives in the United States and has built her career in response to shock from her childhood, is returning to the small town of Gran Paul for the funeral of her mother with adopted Ann Marie. What is meant to be a brief visit to a much larger thing – and more darker – than any farewell party.
Legela also gathered with her adopting father, Valter Nice, a former local police officer, surrounds the relationship that is distinguished by respect, as well as the emotional distance that is grown over time. It is clear that Legela was not very close to Ann Marie, and that she had concerns about Valter, which seems to have a heavier burden of sadness. Feiled memories start from their past, especially from the kidnapping time, to appear to Ligla, which led to them most of the uncomfortable times.
Louise's death and the disappearance of Alicia
The story takes a sharp turn when Lejla decides to visit Louise, her friend in her childhood, before returning to the United States when she arrives at Louise's house, finds the door open, loud music, and there is no sign of Louise – until you find her dead in the bathtub, surrounded by blood. Louise has deep pieces on her arm, and a small knife, indicating that she died in suicide. Legela feels anxious and grows more anxious when she discovers that Luiz Alisia's daughter is missing.
The girl's disappearance turns the tragedy into a mystery. The authorities and the volunteers are filling to search for Alicia, combing the nearby forest. Thomas, the current police chief and a friend of Valter for a long time, has been responsible for the investigation. When he finds Alicia's clothes and shoes at the entrance to an old mine in the city, he officially treats the case as a crime.
“With the death of Louise, I lost one of the few people who could feel safe with,” the creator Camilla Lakburg and director Lisa Farzanz were told Legela's time. “Louise's death also increases concern about what happened to Alicia, it clearly indicates that it is with a person who does not hesitate to kill.”
Focus on he said
The discovery of clothes in an area of the Louise family associated with the Doubts of Thomas, who makes a controversial decision to detention, Alicia's father, as the main suspect. Despite his sadness over the death of his wife and the disappearance of his daughter, he said that the goal of interrogation was.
Thomas approach raises questions. He said he pressed his relationship with Louise and hints that he is very calm for someone who is sad. Thomas reveals that the couple were divorced, but Louise only fell divorce papers, which deepened doubts. The separation line begins between investigation and persecution in blurring, especially when Thomas claims that his house will be treated as a crime scene.
Clothes, videos and strange construction
While Thomas continues the official investigation, Legla decided to take matters in her hands. She and Falter returned to the site where Alicia's clothes were found, and I admitted to them because Alicia wears her at Ann Mary's funeral, a day before the disappearance. This idea is important because it narrows the time frame for potential kidnapping.
The main question becomes: Who will get easy access to Alicia and could have approached it without raising doubt? The answer comes when they learn that in the past fall, some builders worked on the roof of the family home. One of them, Maxim, is said to be inappropriately close to Alicia. When Legela tracked, he says that Alicia and his daughter were of the same age, became friends, and exchanged messages on his phone. Maksim Lejla displays the videos that they sent each other, which cleansed it from doubt but reveals how weak Alicia is.
Dolls, discounts, and Eiki
Since Lejla does not remember her kidnapping details, she begins to search for the records of this issue to run her memory and may find a call to today's condition. When reviewing the old recordings of their sessions with the police, Legla remembers disturbing memories. She refers to her kidnapper in the name of ECKI, a man who gave her dolls when reading books and had a ritual habit in cutting girls' hair before killing them. In recordings, Legela says she fled lucky, but these girls who were not very fortunate.
These details, which look almost symbolic, resonate with the current investigation of Ligla. The way Alicia, the emotional reconstruction of Lijla, the re -appearing of the name “Eik” through the eyes of another child indicates that the story repeats itself – or that it has never ended.
Thomas and Louise and the secret that could collapse the investigation
Another development shakes the investigation: Thomas admits that he had a relationship with Louise while she was still going through the separation process. Legela reveals this through Louise's video clip with another man. When you press Thomas, he admits the case and pleads until he remains private.
Valter, however, does not forgive. Thomas is accused of participating very emotionally to lead the investigation. This position questions the credibility of the local police force and opens the door for Lejla and Valter to take over a more active role in the upcoming episodes.
“The story depends on the fact that every person has secrets,” says the creators of the show. “This not only affects the investigation, but also affects daily life in a small town where everyone knows each other.”
The press conference, revelation, and “fans” Legela
The city is in chaos. During a press conference, Thomas is trying to distance from the disappearance of Elisia from the kidnapping of Legela 22 years ago. However, his attempt to separate the cases seem increasingly turbulent, especially after the autopsy shows that Louise was anesthetized before her death – leaning about the theory that she was already killed.
In this chaotic context, a new character appears: Martin. He is approaching Legela in a café, claiming that he follows her work in San Diego and admits that he was always “fascinated” with her story.
The investigation is progressing when Lejla gets closely recognized by Martin – or rather, Daniel Frick, his real name. Liegla's kidnapping, which was widely covered in the media at the time, since his childhood, Daniel reveals that he re -created the original Legela kidnapping by taking a little girl, who had a long dark hair, causing the authorities to think she was the same person for 22 years. But Martin is just an imitation seeking attention and not kidnapped Alicia.
“People who commit crimes are often fascinated by crime. They often admire other criminals and see them as idols.”
The real Eiki
During the investigation, Legla begins doubting Thomas. He had a Louise phone and it seemed to hide something dangerous. But the truth is that he just wanted to hide the issue with her. Nothing of this, however, Lejla is the most destructive revelation.
Valter, her adoptive father, is the real Eiki – the man who kidnapped her as a child. Now, he did it again. Lejla learns the truth in the last episode, when she hides from Thomas on her own property and her drug person and takes her to the prisoner. It is Walter, who takes it to the same hideout where Elisia was kept – to design it at the house that I believed was safe.
“The idea was from the beginning based on Fallter being” a wolf in sheep clothes “, which comes from the magic of the murderers and psychological illnesses who can live a normal life, while committing horrific crimes.”
I am concerned about the disappearance of Legela and without answers, Thomas decides to return to Valter's house. There, a dead police officer – the same person appointed to protect Legela.
When investigating property, Thomas reveals a hidden underground room. Inside, Alicia finds unconscious after being strangled by Valter. Lejla, bleeding, besieged inside a glass dome, hitting her head on the glass to attract attention and prevent Falter from hurting the girl more. Thomas managed to stop the worst. Valter was arrested, and Legela and Esia are rescued.
At the last moments of the series, Ligla Valter is visiting in prison and wondering where the bodies of other victims are. He answers coldly: in the lake where he used to take it when she was young. Direct revelation and a feeling of comfort, uncomfortable but devastating. I did not think Legla was a place for the dear memories between the father and the daughter, in fact, a silent cemetery.
Legla also learned how it ended in the Falter family. He admits that he decided to kidnap Ligla when he first saw her at a town event, as a child with her biological mother. Valter developed an obsession with Legela and kidnapped her. By the time she escaped Ligla from his family, her mother had already died. Motivated by this obsession, Valter decided to adopt it to preserve it. This was only possible because Ligla never saw her kidnapper. He admitted that he loved her in a royal way, and for this reason, he wanted her to stay with him – with any necessary means.
“He uses love as a way to maintain its control of it. Love is the way it attracts, and what keeps it close to it,” says Lacardge. “He takes advantage of her need to belong to a place and be loved, because without him she is alone in the world.”
