At the opening of the new Joachim Trier movie Emotional value We meet Nora Borg (Renata Reinsve), an example of an insecure actor because she is trying to do everything in her power to get out of the theater – a bag of nerve involuntary cramps as she wanders in an attempt to quit smoking. This, however, the star's night is opened in the play and the audience sits. Cut the massive applause at the end of the play. It was a successful light. Everything is good.
This start tells us that this role will be completely different from someone who took the best actress at the Cannes Festival the The worst person in the world, Trier's Louved 2021, which also received two ons, for the international film and played in its scenario). In fact it is completely completely various From the opening, we may think that we believe, a quieter and more perceived brother of her younger sister (inga ibsdter lilleaas, a real discovery here) is a wife and mother of a 9 -year -old boy, and she really turned into places with Nora, and now more than the mother's protectors with a single mother of the two. The family of the generations family is still the center of the universe for them. Their father, the famous film director Gustav Borg (Stellan Skarsgård), abandoned his family, had little contact and has a profession now to decline. To revive her, he chooses an unprecedented moment: his ex -wife funeral service, which he does not call. His real motive is about to reveal.
GUSTAV wrote a text of a biography believed to return to his tickets to glory, and he is here in the family home with a scenario that he handed over to Nora, a movie he wants to direct the famous theater actress herself. Written by her. But there is no lost love on her part of this scattered dynamic father and daughter, and she rejects it. So what does he do? He rents a great commercial star in Hollywood, Rachel Kembering, to take the daughter's side (does not deny highly with Nora growth). He had met the star at a cinematic festival that includes a retroactive effect and a tribute to his previous victories and was looking to work with legends like him instead of box office films. It appears to discuss the role with Gustav.
With KEMP and GUSTAV now in the building, everything is thrown on Kilter in the exact balance of this family as it moves in sadness over the loss of the mother after a long illness, the return of the older father of her life, and a famous movie star standing in one sister who does not want part of it. Each of these characters, in this house with a long history, is now trying to draw a suitable path for happiness in a difficult situation. Pillars to Jorgen Stangye Larsen Wonderful Production Design and Just the right -wing cinematography at Kaster Tuxen.
We see the relationship of Noura and Agnis taking a new dimension with Gustav's return in their lives unexpectedly, their mother went, and everything turned upside down. The scenario scenario by Trekil Vogt can pass through long writing to pass all of this family drama with quiet moments and unimpressed tension. There is also a disclosure of past memories that offer all major characters of all ages at home and is the only character that keeps her consistent location in time. This may be the closest that Trier has reached to the master of this kind of human conflict, that Emstar Bergman, whose films seem to have an influence, or at least an inspiration, although the musical options he takes Tyre will never come close to the movie Bergman. The director seems to be more comfortable now with more characters in the center to play with her, a certain freedom of focusing on only one main player as was the case with unusual Julie in Reinsve The worst person. Those who expect to restart this movie should leave those ideas at the door. This picnic shows that Trier makes every attempt to move down the surface (with less fun along the way).
Watch a pre -movie from the movie below:
The real power of nature in Emotional value He is Skarsgård and the movie is alive at every moment he was on the screen as a man who turned his back on his daughters, even his grandson, for a profession. Now that he is engaged, he tries to spend the personal experience and his daughter to return. Of course, this is one of the ways to look at it, but for a man who does not wear his feelings on his possession, it can also be a way to reconnect in a broken relationship, which makes the only way he knows – with art. In some respects, Jin Fonda reminds me to buy Ernst Thompson's play On a golden pool As a consistency of her and her emotionally distant father, Henry Fonda, to present a movie version, and her own goal is an opportunity to find a renewal in their father's own relationship. You still have to ask that by “reformulating” his daughter with a big star, Gustav may show himself the true selfishness. Terir does not put it there easily. You have to play this one as it is.
It is up to Ajians to be adults in the room, not only for her husband and son, but for every person including her sister who, as we saw in this opening scene, is not sure of herself and needs some sympathy, now only to receive her from a younger brother who turned into a wise person clearly more clearly. Lilleaas is the revelation in this role, and the real writing here, as RINSVE is much decreased, but nevertheless a welcome screen in any delivery role (Watch last year otherwise Armand). Fanning is great in a supportive role as the film turns into the English language for its scenes, as it is the best confrontation with Gustav because it explains her hesitation in participating after everything, and it is a feeling that she may have mistakenly stumbled in a family drama is the real life, not on the pages written by Gustav.
Emotional value It is a movie that infiltrates you, more contemplated than expected, but also in a movie that will not leave your mind so easily. It turns out that the conclusion is also one of the most satisfying ends that I saw at some time, fully respond and deserve to wait for the truth of man, and the value that stops passion.
Producers are Maria Exerhovd and Andrea Berintsen.
address: Emotional value
festival: It was (competition)
distributor: neon
exit: Joachim Trier
Screenplay: Joachim Terr and Eskil Vogue
Empty: Renate Reinsve, Stellan Skarsgård, inga Ibrahim Lilleaas, Ell Fanning
Running time: 2 hours 15 minutes
