Alert the spoiler! This post contains details of the conclusion of the second season of HBO's Another of us.
Season 2 conclusion Another of us It makes it difficult to continue to root Elie.
What started as an endeavor to find revenge for Joel, at this point, out of control. Although Jesse, in the end, Tommy is trying to persuade her that the time has come to return home, she nourishes her (and blinds her) this hatred for Abi.
As a result, by the end of the episode, Eli is unintentionally responsible for the death of at least three other people. She kills a mile, who is pregnant, and while trying to interrogate them around Abe. In the end, you get what I asked for when Abe arrived at the stage to confront her – and she kills Jesse in this process.
“I think all of these people are dying around her, and now her loved ones, because of her unanimous need to kill Abe. I think she started to realize only how her actions affect her life,” Bella Ramzi told Elie's final line.
In the interview below, Ramzi tracks Elie's descent on the past few episodes that lead her to a dark place, which will be difficult to return from.
The deadline: Before we get to the end, I want to ask you about the scene at the end of 205 when Elie Nora is tormented. How do you think that the moment you reach where it is in the end – and what do you do?
Bella Ramsay: I mean, this happened a little in the first season when David attacked with the ax after he attacked her, and this type of opening new levels of violence, I think they did not know she had. Likewise … torture Nora, I think there is an element from him at the moment when she gets a kind of pleasure from him, but then she hates herself, like, she really hates herself. I think this leads to the opposition. You cannot really feel remorse. After that, I think it is more like a deep hatred for himself, and I think after that contributes to this decline represented by, “Well, I am this person now, so the following measures that I will take, this is only what I am.” Certainly damage, and I think that moment is similar to the turning point to the depths, for sure.
The deadline: At the beginning of the end, Elie Dina tells what Joel did in the hospital and why Abe came after him. Dina seems to accept it quite easily, but how do you think this affects their relationship?
Ramsay: I think Elie Maroub tells Dina about this, and Eli expects that once you tell Dina this, that's all. You will leave Dina. All that was built with Dina will go away. Because I think Eli is very shy about all of this, and I think, just expect Dina to do so too. Dina clearly has a reaction, but she is very generous, and I think this is something they will work in. I think Dina in the end – for me anyway, how I felt playing with Isabella – is that there is a level of understanding, and there is a level like, “I love you so much that I will try to understand why you haven't told me before, and thank you for telling me now.” I think this was more than consensus.
The deadline: There are a lot of big moments at the end, including when you kill Eli Mail and Awin. How does that moment differ from Elie from what it was when Nora is tormented? Her reaction to their death is more brutal and less acceptable. It is clear that she was shaken.
Ramsay: I mean, this definitely looks completely different from the end of episode 5, killing almost Nora. There was something deliberate about it. There was nothing deliberate about this. Something we played a day is that when I go down, such as, “321,” every number I go to, I love to beg to do them as I say so that I do not have to shoot them. I think Elie really doesn't want anything to happen. It is clear that seeing a tendency is pregnant, and I think everything Elie sees at that moment is a religion, and this is very bad. So you return to be like the youngest children at that moment. I think she feels lost, extremely afraid, and the way her entire journey until then, as I think, collapses at that moment.
The deadline: How does this feeling multiply by Abe, Jesse's killing?
Ramsay: This sadness is very instant and there is almost no time to address it, but it is clear that they had that conversation before the place where they reached a mutual understanding, because Eli was always familiar with Jesse who did not agree with many of the things she did. I think there is this instant shock, but I think that once you start dealing with this issue – it is not a therapist, to be fair – but I think it really feels it is the cause of all this. All of these people die around her, and now her loved ones, because of her monochrome need to kill Abe. I think she only started to realize how her actions affect her entire life.
The deadline: Is it enough, though? Can she get out of it, or is her overwhelming need to seek revenge on Abe still leading her at this stage?
Ramsay: I think both things are still correct. I mean, when she comes as she nominated and sees Abe, and Abe holds the gun with her, this scene was very complicated for photography, emotionally, for me, because I go from immediate sadness to fear of Tommy until he was terrified of my life, but at the same time, this was the person I was waiting for, and here. It is a strange and crazy moment, and I think Elie's need for revenge and revenge does not disappear. I don't think he does not.
The deadline: What is the scene that highlights you this season as the most emotional influence?
Ramsay: Oh, I think, frankly, it is a scene of miles and two. I think this was definitely the most influential for me. Perhaps this is one of the scenes that I am proud of in the season. It moves from being evil to a lost person only I was from hate and a kind of feeling sorry.
The deadline: What are you looking for more about continuing the story in the third season?
Ramsay: I am really excited. The second game is very great, so it has a joy in getting the space and the time of more seasons to explore all this and enter it. In the same way, after the first season, I was very excited to return to Ellie's leather for season 2, I am excited again so again in the third season.
