Exclusive: UK Culture Minister Chris Bryant has reduced the possibility of improving the US -UK's tax credit) in the United Kingdom.
Speaking to the deadline, Bryant said that the status of the tax opponent “is kept under review” but it is a matter of the next budget for the country, which was developed by Chancellor Rachel Reeves and will not be announced for several months.
Stock -up industry characters such as doctor Product Jin Trant and Black doves Ep Jane Featherrstone urged to upgrade credit from its current level of about 25 %, to 40 %, which will match the Indie movie, while others called for help in cheaper offers that cost between one million pounds and 3 million pounds per hour. This was reported in a prominent report issued by the Culture, Information and Sports Committee in the United Kingdom earlier this year, which asked BFI to “conduct an urgent analysis on the possible design and return to investing in raising the target” to credit.
“The tax credits that we now have are very competitive with the rest of the world, but this is what we have to maintain and always maintain these things,” said Bryant, who spoke to us a day after the long -awaited Ministry of Finance.
He added: “Tax changes or differences are a matter of budget, not a review of spending, not only the industrial strategy.” “We know that these discounts are really successful and we certainly want to maintain a competitive position in the future.”
Many stakeholders told us with “representations” of Barent on tax credits, including separate demands to obtain tax credit for the distribution of films. But he added, “I haven't seen the statistics that make this addition.”
Bryant referred to the previous government that provides credit for independent films by 40 % – which is celebrated by everyone and giving a boost to a sick sector – as evidence that governments are taking action when necessary.
Not “afraid” of the mixed environment
Chris Bryant. Photo: Lyon Neil/Getti
Hetv's tax credit has had a gamechanGing effect on BRIT over the past decade, but making the drama chain was harsh recently, as the BBC announced a text financing crisis as Americans wander from joint production.
The costs have increased sharply in recent years, partly due to the influence of American signs, but Bryant is a big fan of Netflix in particular and said he “loves the mixed environment in this field and I am not afraid to say that.”
Speaking at Netflix Swanky Do earlier this month, Bryant almost decorated it on the signs, describing it “the curse of my presence and the goal of all my desires” because of the massive content mix and saying “The broadcast was useful for making British film and television.”
He assured us that the work government will not provide banners tax and said that although “the arrival of banners has made some challenges in terms of costs”, there is a world in which everyone is winning.
He said, “I want to get it in both directions.” “I want to get a really strong content in the UK for signs that are sold all over the world, and I also want to flourish public service broadcasters (PSBS) and make content, some of which are monitored all over the world and some appear to the United Kingdom.”
Last month, Bryant had to deal with the repercussions of the Donald Trump's tariff plan, but Potos finds himself a bit dispersed and Bryant said: “I don't think Hollywood wants to go on this way.”
“They know that they need to hit a global audience and earn more money,” he said. So it makes sense for them to build on this [international] Etisalat all the time. “
Instead of imposing signs and anger tax like Trump, Brynet said: “The best way to support strong production in the UK is to make sure that PSBS is in a strong place and has large production budgets that they can spend on the content of the United Kingdom.”
Time in mind, the creative sector plan yesterday included a review of a review that studies how broadcasters can unify and add partnerships more easily, indicating that ITV is in the sales block.
“I am not afraid of mergers,” Brynet added. “What will be tense is the loss of the huge production budget for the British people to see the British content.”
And whether the government can make it easier for foreign owners such as Redbird IMI, which is supported by Abu Dhabi to buy broadcasters, Bryant removed the question, noting: “If you want to talk to you about that day, we put it today in [creative sector] Plan. It was reported that Redbird IMI was one of the buyers interested in ITV, and Jeff Zucker and Gery Cardinale recently forced a British newspaper. Daily Telegraph The reserve for sale after the Princess Bryant approved in the government a law that prevents foreign countries from having newspapers in the United Kingdom.
Bryant makes the creative sector plan, targeting the United Kingdom as “the best place in the world to make and invest in films and television” by 2035. It is especially proud of the investment of 10 million pounds at the National School of Cinema and Television, and 11 million pounds of private investment such as Walt Disney, Dana and Albert R.
He added: “I want to make sure that this industry is not just a place for people working in this industry.” “We need to be able to tell the multiplicity of different stories and for this reason you need this mix of people who think about a profession in the screen as a possibility.”
