After just finished filming his movie Tom Cruise in London, there is Alejandro González Iñárritu here on Croissant on the twenty -fifth anniversary of the prior approval of the science that lit the wilderness in his career, Amores perros.
The amazing violent film is followed in three separate stories, and it follows the movie “Fighter for Amateur Dogs”, a supernatural message, and an abandoned killer, all struggling separately to find love, and discover their mutant life through a destroyed car wreck in Mexico. The film, along with Alfonso Cuarón for 2001, the young male male, Odyssey Y Tu Mama Tambien And guillermo de Toro's thoro Fantasia 2006 Ban maze Bullhorns was when it came to putting Mexican cinema on the global map.
“When I shot Amores perros, A million feet were shot from cellopy. When I edited my movie, it was two hours and 45 minutes, and that was 16,500 feet. “Iñárritu has left nine hundred and fifty thousand feet,” these shots “like wine” were stored at the National University of Mexico, according to the Oscar winner in 4X and at the celebration of the anniversary of the film, a global visual experience is installed in a field in Milazion on September 26, in 2026). 5-3, 2026). Amores perros.
Iñárritu will return to London soon to liberate the feature of cruises, with a temporary title entitled “Annat” entitled ” Judy. Here is what he said about this theatrical release in Warner Bruce, on October 2, 2026, as well as Amores perros Who earned him an Oscar nomination for the best international movie.
Delivery date: We prepared to Amores perros Here at the Cannes Critics Festival 25 years ago. How was it to make your big spots here? Your peers were already on their way in Hollywood: He did guillermo de Toro tradition In 1997, Wolvonso Cuaron to make Small princess In 1995 and great expectations in 1998.
Federico Garcia
Alejandro g. iñárritu: At that time, in Mexico, only seven films were produced per year. During the 30 years, one of the movie Film Festival was not once. Besides, we were not visible in international cinema. There was no national market for Mexican cinema. It was a terrible period, most of which were supported by all films by the government. You had to become a member of the federation to become a cinematic photographer. It was a miracle (to direct this movie from the ground). At that time, there was Altavista that decided to do a private financing company. It was a long text. I was doing a lot of ads and radio, and they knew my work. They granted $ 2 million. In Mexico, there was no profession as a film director. I did one movie, and I was grateful for the same chance. This opportunity, you had to put everything you think, everything would like. For this reason, the film is the narrowest boundary and balanced of thick ideas of contradictions, and this is related to a Troy experience, our city, Mexico City. We poured all our hearts. I had no expectations, and I did everything I could. We were young. The film came, I edited it in my house, and sent it to the Cannes Festival Committee to the Latin American man who chose. He said, “No, this is very long and very violent.” Can you see the committee? 'no!' We have rejected the man who chooses films for Latin America, which is presented to the man who chooses the movie. “Can they see it?” We asked. 'no!' There was no Mexican distributor, there was no market. At that time, each festival, Latin American cinema was destroyed, and is limited to the World Film Department of Festivals.
Then, Jose Maria Arfa, who was the director of Semeana Critica, watched the movie, and sent us a love message. The person who said, “Come” and my mother said, “You are going to the parties that were only invited.” Suddenly, we presented the movie.
At that time, Bernardo Bertolucci was the head of the Critics Week. He invited us to lunch with the other six directors who were competing. The oldest movie. Half the screen came out in the middle. I smoke a package of cigarettes. It has arrived in Bretolucci full of nicotine for lunch. He asked, “How will you go?” I said, “It is terrible, it is not imperative to present your movie to the world of the world.” I really shaken. I said, this is the end. This is my first movie. That's it. I told him, “I envy you. You are Bernardo Bertolucci and you shouldn't have this fear anymore. After the first movie, everything gets worse. At the time of 2000, they were making a presentation at the Classic Cannes Festival 1900As a young man, I couldn't understand seeing your movie after 25 years. Now I am here after 25 years. Bernardo was right, every movie was getting worse. The reality is that the film has become a huge thing and has become incredibly successful at the time, and it has become talking about a city why it was not in the competition. After that, I think Guillermo and Alfonso and me – suddenly Mexican cinema became part of the world conversation.
Federico Garcia
Delivery date: If we look back in the movie and what is going on around it – can you make it again? Do you still see Mexico through the same lens?
Aji: Yes, even Mexico did not change for the better. Timely violence in Mexico was very difficult. We were attacked by scouting with weapons. We were exploring the battlefield for dogs and I was talking over the phone, and there was a gun in my head, and my production designer was on the ground with a pistol on his head. They took our cameras. It was a gang. It was the krak neighborhood. In the end, we said, “Please do not damage anyone.” We were rescued, but I liked that scout, because the scouts were perfect. The line product negotiated with the gang, and the exchange was that it will appear in the movie. Everyone who is in the background of dog seats are gang members. At this time, Mexico became more difficult.
Delivery date: Was there an immediate purchase of purchase or lionsgate from the table?
Aji: I think they took it off from the table. At that time, the foreign language movie was always difficult. Altavista was dealing with that. The film broke the records of the audience in Mexico. He was an interesting musician at that time, the ruling political party changed power for 70 years.
Delivery date: Talk about how Hollywood summoned you after success Amores perros here.
Aji: I got an agent that was John Levir, they were presenting great franchise films. I was already developing 21 grams. Sean Ben was the one who called me. I met him at a party. He said, if you have something, tell me that. I thought it was good for me to explore a movie of religious fanaticism and faith, and everything explodes in the southern United States. 21 grams The first focus features have produced a movie under James Chamous. It was my first American movie, independently with Final Cut.
Babylon Paramont and Brad Gray were at the time. It was a third type of exploration for linking and non -linear structure. It was ambitious films filmed in different parts of the world. It costs $ 25 million – nothing. It was difficult and beautiful and did it independently by Paramount. That was a great time in the cinema when the studios were supporting independent films.
Delivery date: Can you tell us anything about Tom Cruise's works in your new movie? until Mummy There was a trick
Aji: The only thing that I will tell you, and not tell anyone, is that nothing of this. I am very excited. It was an incredible experience with Tom, Sandra Holler and Jesse Plimins, with Rees Ahmed, but he is a film driven by the character attached to the shoulders of Tom, who knew it was the right person.
Delivery date: Is it about what was floating there – that he is the strongest global figure trying to persuade everyone that he is a sacrifice?
Aji: No, the thing I can tell you. This is a catastrophic wild comedy. He is crazy. It makes me laugh every day. The scope that I discovered with Tom was unprecedented for me as a director. I was very ridiculous and happy.
20th Center Fox
Delivery date: I must imagine to forgive him with any work attacking DiCaprio.
Aji: He gives himself. He has an incredible feeling of emotion. It is a brutal comedy. It is a wild comedy of a human nature. It is frightening and funny. It is beautiful. I will start editing next week.
Delivery date: with Revenant It was known that you were for the environment. But the shooting in Pinewood in London, I imagine that you are in a tight position.
Aji: It was a very difficult movie, you will see. They are many boundaries of many things. Every movie challenges me. I don't like doing the things I have already done. This is something that we never did and it is also exciting.
Delivery date: Film makers, industry loves to knock on broadcasting. But if that is not for Netflix, you will not be able to make your last movie, Bardo.
Aji: definitely. I had no choice. Nobody wants to bet on a Spanish movie about immigrants. He broke all the expectations of what the Mexican can talk about. It was not about the cartridges, gangsters, or drug dealers. It was a very personal and unique thing. It comes to a certain identity and I and many other immigrants are related to a kind of nature.
