A paid phone on a stick, sprayed in rubbing the Arizona desert. Now there is an indication of an era. But this is 1970 Plymouth Duster-Hood Scoop, Baban, Fastback; Raspberry Red with Rally Black lines – the sound of the throat of the muscle car appears as it turns in a rotation on this empty tape of the Macadi. The man comes out, and before he says anything, his confidence is cheerful like the sun of Arizona, who looks at the chrome trim from Duster. Jim Ellis (Josh Holwai) answers the resonance phone. “Where do we go?”
There is also confidence elsewhere. Federal agents are barely seen on a mixture of questions and accusations barely, but this is in 1972, the FBI, and despite the specific patience of the fresh Quantico graduate Nina Hayes (Rachel Hellson) – is part of her natural confidence – you know that she is white, you know that she does not respect her. But if you do not know, Dirty The inherent institutional racism makes immediately clear. “C
In real life, the early 1970s witnessed the end of the FBI program, which is the secret FBI program that was activated (largely unconstitutional) to monitor who considered “extremists” or “kidnappers”, and the death of the first director of the FBI, his racist and sexual exceptions. So in the early seventies as they were photographed in DirtyNina Hayes is the first black woman to become a special agent in the office. Open to be free of those who see it as a problem, Nina's questions agree to her request for the first mission: Phoenix, AZ, and the development of the highest criminal in the southwest of the city, Ezra Sakston (Keith David). When you reach the airport, Bitsui (Asivak Koostachin), another new agent, is not known. “Black, yes, get it all the time.” Let's go beyond that, Nina says, so we can work.
![Duster EP1 [Awan]](https://decider.com/wp-content/uploads/2025/05/duster-ep1-02.gif?w=640)
DirtyJJ Abrams (JJ ABRAMS)The nicknameand marginAnd – significantly – lost) And Latoya Morgan (shamelessand In BadlandsNina Hayes and Jim Elis as two parts of the police ride and clearance, a journey with the charge of direction 1 of Steve Green that puts the gas pedal on a detailed version of the seventies. This thing is very similar to a real -time life as much as it praises how to use the seventies to look on the TV. Minutes after his interview on this desert road, Jim Elis takes spare measures to shake the angry Jews chasing him in AMX. This is a deep model of the muscle car that is unlikely to be seen on TV screens since ME decade. While Jim and his companion, nine -year -old Luna (Adriana Aluna Martinez), was a roar away from their next station, Amx is a slope of birds that are shot from the bottom. Optical honor for everything from Rockford files to A-TEAM.
Was Josh Hulwai to play a handsome man and seem to spend most of his adult life as the calf in a large -scale criminal operation? It looks like it Dirty He says that. Moments are repeated in episode 1 where the procedure stops, only the characters and The camera can drink in the broken jeans, a brutal camp collar shirt, the shoulder length, and the fixed features that made Sawyer Holway on lost Such a strong and interesting hero. And remember, it is the seventies, and therefore the sexual revolution is in full swing. Ellis usually seems to wake up next to some beautiful bodies.
To date, we have seen Elsal Cash drops for SAX all over the city, including PDD and local institutions companies. But, too, this with Little Luna is still in the car, picks up a human heart to be delivered to his boss. This is the place where a wild surgery is being created, and here Jim ends with helping to pressure the failed organ in the patient's chest. ((house It looked very different in the 1970s!) It turned out that Sakston Royce (Benjamin Charles Watson) had a defect in the moral heart, and for the note, working in Sachs is a family relationship. All the president wants – go to pick up a heart, or help a heart continue to pulse – this is what the president gets.
Ellis's close relationship with Saxton will be a problem, and now that she has become the Nina Hayes special agent in the city. Certainly, in the Philial Office, the White majority agents such as Grant (Dan Tracy) and Abbott (which Greg Grunberg plays, a guarantee of any ABRAMS joint) to their aggressive position. whatever. You see immediately as a bait to put Sachs on her hook. Awan, with his Navajo heritage, and Jessica Lauren (Sophia Fosillieva), are sarcastically referred to as “coffee girl”, soon became the allies of the Nina office, and in a short time they connect a transfer between the states of a human member to Els and Sexon. This is a felony, and she has to secure Jim as a criminal laboratory.
From the moment Nina climbs to Dirty Without waiting for an invitation, chemistry between Helson and Holway burns, very bright. “Do you think you will go out here and only wrap southwest Rednecks around your finger? But then Pirima Green fades in a thin line. “I am not shining.”
He will never think to work in the fluff. Not even “Lady of Dick”, as Abu Jim Wadi (Corbin Berusen) calls Hayes. But the threat of the felony made him in a narrow place. How old will be a color when he finally got out of prison? Nina has more influence. In another nice moment of the seventies in some way but also some no, not, Dirty Did the private client showed the criminal driver's footage of what you say is evidence that Sieston has arranged the death of the younger Jim Jim's brother. Not on her phone, not on her disk. This is the “seventies”, remember? So, instead, the NINA has the Vidoocastte Sony U-Matic-basically the first VCR ever-was falsified on a small tube TV in the FBI sedan. Does this thing run on the lightest cigarettes? Not clear. But the scene works, because Dirty Enjoyable and unpredictable. Nina also works on Jim Elus.
“It will make my life dangerous,” he says, agreeing to be her CI and informing Ezra Sakston. “I will do the same for you.”
Dirty: 8 tracks
Throughout the season, we will track the jam Dirty Whether they are on a 8 -track player in Jim Elis's impulses, or put on the comic scenes of giving up sexual situations, or the confident Nina returns to the Phoenix field office, after securing her criminal laboratory. Or when Hollies sang on her 100 “Long Cool Woman in a black dress”, “Saturday night I was in the city center, I work at the FBI …“
Johnny Luvitos (@Glenngangs) An independent writer and editor who generally lives in Czecholland. His work appeared in Village Voice, All Music Guide, Pitchfork Media and Nicki Swift.
