One of the many characteristics of the recent American cultural trends is a “society of more than 55 years”, gates with retirees who embrace the idea of living for unilateral generations as a separation of all generations before it knocksos. In Gabriel Mascaro The blue pathA gentle mixture of the imagination of late self -realization and Portent Dystopian Logan operationThe step is not voluntary, but resistance is not useful. The fourth feature of Mascaro can be considered a husband with the previous Divine loveWhich I also imagined that there is a nearby situation that is controlled by a repressive repressive state as my career, but its most recent is less inspired than previous films, and the concession of sensory rewards that come from the natural world instead of the human body. She was placed reckless by Dennis Winberg's territorial power in the role of Teresa, a woman designed not to put her away, The blue path A river journey as a way to freedom, and its unusual warmth, is assumed, although the delay sometimes in momentum, provides refreshing rewards.
This is the most humane Masterro movie, and this does not mean that August winds and Neon Paul It was also not based on the struggle of the individual to achieve self -achievement outside the restrictions of the bourgeois bourgeois society. But in The blue path The director becomes deeper within a character, specifically the glow that comes from separating himself from the supposed benefit and living at the present time. To this end, Mary Sucarras arrives in a timely manner to make Teresa – the public – understand the joy of independence.
“The future is for everyone” government broadcast everywhere in a water community in the Brazilian state of Amazon, where Teresa works in a crocodile meat factory. As with all slogans, a basic lie is built in the hypothesis: the future is for everyone the introduction “everyone” actively contributes to the prosperity of the nation. Once they are 77 years old, their children are automatically granted legal guardianship and are shipped to a “colony”, while ensuring a happy life free from care without threatening unity. Any person who resists by the “wrinkle cart” is captured, a type of open transport vehicle that makes a humiliating scene for the captured elderly. Now that TEREZA has reached the age of cutting, I retired by force and told that she had only a few days before she needed to move to the colony.
But it is not ready, not by a long shot. For one of them, she was not on a plane before, but no one had never asked about the dreams that might have it. The travel agent will not sell it without permission from her daughter Joanna (Claresa Pinharyo), so she is looking for the possibilities of non -commercial flights, which she leads to a boat, a smuggler named Kado (Rodrigo Santoro) and the possibility of climbing in the airline. As with all road/river trips, the shift comes from the trip, not the destination. The mysterious blue secretion of rare snail is the gate to revelation, such as CADU, under the effect, reveals the extreme regret that chases his life and deprives of happiness, which confirms the idea that life, regardless of age, should be seized without it. Sorry.
When her hopes are deviated from flying, Teresa returns to the house only to be rounded to the forced transition, yet a smart trick is allowed to escape and ends up to the request of the hemorrhoid Bible, Roberta (SOCARRRIRA) for the owner of the boat on her boat. It is a meeting of similar spirits in thinking: Roberta managed to buy her way out of shipping to a colony-who will always speak money-and her speed in freedom reveals the path that Teeza should take.
Although Mascaro is always sensitive to the synthetic pleasures provided by nature, it is especially taken with the winding paths of the Amazon and its tributaries, whose illogical forms apparently work as a geographical metaphor for the film's message that life does not revolve around the simplest and more way I get from point A to Z. Point The blue path It confirms that productivity is the opposite of human fulfillment, as it provides a substitute for the species of the empty promises of capitalism and communism in the Soviet style by insisting that our well -being is not related to interest concepts. In the best scene, Teeza and Roberta themselves wash themselves using buckets of shiny water, and their bodies that respond to physical pleasure, which are enhanced by sunlight and a feeling of communication between two women who choose to float in the future on their vapor.
address: Blue Path (OLTIMO AZUL)
festival: Berlin (competition)
exit–Screenplay: Gabriel Mascaro, Tibério Azul
Empty: Dennis Winberg, Rodrigo Santoro, Myriam Sukaras, Adanilo, Claresa Pinhairo
Sales agent: Lucky number
Running time: 1 hour 26 minutes
