“I achieved a living in rewriting other people and writing texts for other people, but I only made three films for myself, and I made it under the circumstances that I had complete creative control as possible,” Kenneth Longan told a group of junior book at the Dublin Library Festival.
the Manchester next to the sea and You can count on The director conveyed his advice on how to sculpt the profession of script in cinema during a lengthy major conversation with room and sincere Director Liny Abrahamson.
“In my case, I had to have stronger protectors than me. But I found them and got it and got it and made sure that they were able to protect me. And one time out of three times they could not protect me – I faced a lot of trouble in my second film, in an attempt to keep the movie where I wanted.
When the current status of the film industry was investigated, Lonergan said it was affected by the type of bold film industry that was present in the 1970s. “She grew up in very good movies, and I am sorry for her saying, is not the case with the medium person where the movie has been going on since then.
“The general quality was through the ceiling compared to any time since then. It was not the method that must be emphasized on all topics and has everything means something and narrates the ethics of the story in the first ten minutes and made sure that the audience is known from the side of the spectrum on which it fell, politically and socially.”
He continued: “I do not think that people are less talented, but the age, in the way Hollywood believes that it will make money, has changed deeply and has not really changed. Everything that happened since then was against the tide instead of there to be what reduces the films that are implemented through them. Before they needed it.”
Lonergan emphasized that originality is the key, and the individual writer's voice is “the most interesting thing you should offer.”
“Your job is to protect it and maintain your respect for your independence, your individuality and not to sabotage it by borrowing Trops.”
The writer and director spoke at all his various operations in making films through his three films You can count onand Margaret and Manchester next to the sea When Ibrahimson was investigated by the opening of the last movie, where the character of Casey Affleck is on a boat with his nephew (who in the end he later became the legal guardian in the movie), Lonerjan admitted that the sequence was not in the text, and when they called it, he felt that he would make this for a good opening sequence.
“This scene was a job of credits, credit sequences and dialogue at the beginning of the movie, which was improvised by Casey Affleck. It is very good and asked him to start making things.”
He continued: “If you have a good instinct, it is good to trust it and realize that you have one and may be of value. The only technique that I can define alone is to notice that when the breezes begin to bomb in its favor and it seems that I get a favorable wind, I do not tend to ask about it, but I just go to that until you die abroad and the wind begins to escape in my face again.”
Lonergan, a prolific theater writer, told the audience that he “is currently working on several things simultaneously.”
“They carry each other away from the road and it is the most productive forms of procrastination that I have ever developed,” he said. ))
“If I can maintain the balance that I am now, none of them will appear at all.”
