Alert the spoiler! This post contains details of Season 2, Episode 4 of HBO's Another of us.
Finally, I ignited the burning of Ellie and Dina's Slow Burn in the Sunday night episode of Another of us.
The husband spends most of their first day in Seattle in exploring the city and trying to discover the best way to find Abby while collecting evidence about the complex conflict between WLF and Ceravit. They notice the WLF call mark on a radio station satellite and decided to start their search for ABBY there, but it wasn't a long time before things went.
Inside the radio station, they found the lampable bodies of many WLF soldiers hanging from the ceiling. They can barely realize that this was done by the CIA when another wave of WLF soldiers is overwhelmed. They managed to escape from the radio station (after the killing of two soldiers in this operation) but they still have WLF on their tail, so they descended into the transit tunnels, which soon became more than injury.
Ultimately, Eli is forced to reveal her immunity in Dina when, during her escape, she must save Dina from an injury. Dina is not easily convinced, and Elie carries at the threat of weapons for most night to ensure that it does not turn. Dina woke up by Eli, shining out of her face, and she started crying because she realizes that Eli is saying the truth. Surprised, then Dina reveals that she is pregnant with a Jesse child.
It drops the gun and accepts Elie, and the couple shares a moment of intimate and emotional intimate relationship because it finally reveals their true feelings towards each other.
“I appreciate it a lot, because you really don't get this so much in the sapphire content,” Izabella Mercyid, who plays Dina, told the pluscinemaz.comof slow burning to reach this point in their relationship. “I think a lot of people go beyond the content of the sexual sapphire in the movie – the media, I think, in general. So I am really happy because it was slowly burning.”
In the interview below, Mercyid spoke with the pluscinemaz.comabout this pivotal episode of Elie and Dina, and what this means for the rest of their mission in Seattle.
The deadline: Have you felt from the beginning like Dina was a person who could contact her, or was it difficult to benefit from?
Isabella Mercyd: I am definitely associated with it, and I would like to say in good ways. I clearly indicated the performance of Shannon Woodward, and a wonderful and like Hell. I brought a lot of its natural attractiveness and charm [to Dina]. Also, I was saying this earlier, it is a kind of perception that I made throughout the season's filming, but it was interesting to find a balance between her fun … mixed with her head and her decision -making skills, and the position of her president. In order to find this balance, I significantly indicate my mother. It has a high, very smart, very logical, but it is also really sweet and really giving. Therefore, it is great, like I refer to the mother to a kind of photography of the mother in several ways.
The deadline: This version of Dina is a very humor, and despite its loyalty to Eli, it is retreating from it when needed. I know a lot of this comes from writing, but have you ever thought about how you wanted to perform your performance different from the game?
Mercyd: I mean, much was in writing. I can not be very credited with myself. Many of them, really, I think smart decisions to change and deviate from the game were due to Craig [Mazin]. Frankly, most of the time I was just saying, “Oh, I don't know if I want to say this line, just because he reveals the character a little.” I wanted to carry her cards closer to her chest most of the time. He always listened to me. I think there are many changes, in fact. I mean, in this episode alone, there are many changes. I would like to say that the scene of the music store is the most loyal to the game, and then everything else is to detect Ellie's immunity and detect DINA pregnancy, completely different. There is this really gentle later scene where they are somewhat holding each other, and it is really very beautiful. It was also beautiful for photography. I think the other time I felt this magic when we were wearing it, as you know somewhat that it would be great – and rarely happens at all – but the other time I felt was during the dance scene in the first episode, and it ended up to be great. So my fingers are crossed so that they are real thin and pulled into people's hearts.
The deadline: Do you think Dina's motives in this task are developing? She says in the last episode that she also loved Joel, and it makes sense that she wanted to achieve justice for him … but how much of her commitment to her is to give Eli also what she wants to change, but you know, approaching him in a different way.?
Mercyd: She has this kind of Elie's loving dedication. I don't think it will be able to get rid of it even if it tries. It is a kind of such clouds for it, and I hope it comes in the chemistry that we have on the screen. But at the same time, I think Dina's intentions are ultimately unveiled in several ways, and there is more in the future. She still has a lot of cards she holds near her chest, I think, for a good reason. And I think Elie is doing it too. I think they are a kind of lying to each other, in some way, and this is what makes it interesting, as soon as the season is completed, to return and watch, because you will then see the moments when we have to decide effectively whether they lie to each other or not. So, yes, I think it will be really permissible for people who are huge fans in the game but they also want something new. I think they deviated from the story in the right ways, not necessarily Change it by nature, but approaching it differently.
The deadline: The scene in which Dina Eli is being held at gunpoint is a truly emotional site. How did you prepare for this scene, and what do you think of the Dina's Headspace space at that moment?
Mercyd: It was new. This was not part of the game, and I really liked it. I mean, he is directly parallel to the viewer with Riley in the first season. It is like this scenario. They are a little larger now. Elie has more understanding. Elie did this before, in the most way. So I think Dina outside the episode is a kind of like, well, a) You either lie to me while he is absorbed and terrible, or b) You tell me the truth, which is absorbed and terrible. There is no really good option. You really didn't know what to believe. Why is Eli lying to her? Ellie's AF*CKing is a liar. Also, I think what is really wonderful to be secondary for the hero is that often, I am the audience a kind of witnessing it. So I had to go to many feelings throughout this scene, and I just had to make sure that it is time, I think. Many of this thanks to the direction of Kate [Herron]But from Bella. I was very stirred by Bella. We were guiding each other. So I think I really wanted people to think that I may have shot her.
The deadline: Also in this scene, Elie Dina told “I will die for you.” This is a really great confession to Elie, even if it was said under coercion. How do you think it makes Dina feel?
Mercyd: I would like to say that she is soaked. I feel that they said this type of things for each other in several other ways, in many other moments. It is like something that both know, but it was not already said, and certainly not under the appropriate circumstances.
The deadline: At this stage, what do you think it means to each other?
Mercyd: I mean, I really think, personally, they are in love. In my opinion, this is what happens. I think in their minds now, it's a kind of first big love experience. There is maturity on it now, because I think they have seen a lot of weak parts of each other. This is what I would like to think about in my mind the little fans.
The deadline: It was slow to reach this point in their relationship, which I feel is a little different from the game. Do you appreciate that?
Mercyd: I appreciate it a lot because you really don't get this so much in the sapphire content. I think many people go beyond the sapphire content in the movie – the media, I think, in general. So I am really happy because he was slow. I am happy because he was delicious and perhaps, perhaps, the Emmy Prize winner SAPPHIC content. I really think we lack this … and I think it is important for people to see young people.
The deadline: How will this moment affect the advanced things?
Mercyd: I would like to say they are at a completely different level, and there is a new type of loyalty there. So anything is moving forward, the risks are much higher, as they will harm much to lose the other person. So I now think that S*T has hit the fan. They deal with a full army. They deal with a child. It will become real. It will be intense. They are invested now.
