Los Angeles was a few difficult months. One of the forest fires that destroys large areas of the city at the beginning of the year to the current turmoil in the center of Los Angeles, the city faced its challenges.
However, Netflix was keen to show Los Angeles on the screen in three of her latest songs – No one wants this, monsters: the story of Lael and Eric Mendez and Forever.
Nobody wants this It is ROMCOM, it is largely located on the eastern side of Los Angeles, starring Christine Bell and Adam Brody; MonstersThe story of Ryan Murphy, which is produced by the murders of Jose and Kiti Mainndes, is held in Beverly Hills and Forever Was Mara Brock Akil adapted to Judy Blume in Baldwin Hills and Beverly Hills.
All three shows are designed as a “love message” to Los Angeles, according to those behind them.
At the Netflix Fysee event – Los Angeles formulation: the city you love on the screen, Claire Bennett, the production designer from Nobody wants this And the liberated Mora Curie, Monsters Production designer Matthew Ferguson and Suzuki Ingerl, Production Designer Forever Music supervisor, Kiir Lehman, talked about Los Angeles brought to the screen on the screen across various neighborhoods in the city and ages.
Curie said Nobody wants this “Go to make no personality.” The show is set via Hollywood, Los Veles, Silverlake and Eagle Rock with sites like Miraate and De Buena Planta.
She added: “The firing of the site really helped to form the shows. The actors had more intimate contact because they were not in a voice, they were in a house, or a restaurant.” “We also specifically came out to photograph the B-Roll, which was the fixed organic pollutants of Los Angeles, did not see it usually. This was not an air for Hollywood brand. It was not Capitol. [Records] building. We were keen to make it look like you were walking in the streets of Los Angeles. You see a bus. We have buses here. “
She added that the team shot some speed at a little speed to give it the quality of the dream and made discounts to make it feel that one was walking in the street, and Los Angeles's vision of the Earth level.
ForeverThe appointed in 2018, presented on the music side, using music from local artists such as Tyler, The Creator, Sza, Nipsey Hussle and Victoria Monét. Daniel Caesar's blessing was used during the reunification between the two threads, while the Frank Ocean River was played at the end during their separation.
Lehman said it is important to use the music that these characters were listening to at that time. He said: “What are the things they would have heard, in the world, in the city, and perhaps the things that will be on the radio, or the things that were in society, and things they were sharing with friends.”
He added: “The music that comes out of Los Angeles at the time … It was a truly rich environment with many of the really amazing artists who have become huge home names.”
in MonstersErik Mainndez was a tennis miracle and Matthew Ferguson revealed that this represents some challenges.
In 2004, the National Tennis Association changed the color of all tennis courts from green to blue, but seeing the exhibition was appointed in the late 1980s, the courts they used need to be green.
“I was running to a site, very excited and took it immediately [the court was] blue. We looked at the cost of re -appearing on a tennis court, and it has proven to be exorbitant, so we found a house, a sweet man who owns this house in Sherman Oaks, which is after that [became] Tennis Court, “added.
Watch the conversation below.
